Sometimes you get interviews purely about music and business,
sometimes you get interviews like this one. Ruki remarks on this very thing
here. It’s a rather candid interview. They talk a little about DIVISION and the
lyrics, then move on to Ruki’s detached point of view and sources of it from
his childhood. The photoshoot aptly illustrates both the theme of DIVISION and
Ruki’s own personality.
Interviewer: Higuchi Yasuyuki
―This is your first interview
in a while.
“It is? Ah, right. Because we didn’t have any singles”
―the GazettE won’t release any
more singles?
“No, that’s not it. But after we released TOXIC, somehow we didn’t feel like
releasing any”
―You said so during the
previous interview. Like, ‘Next, we’ll release an album all of a sudden,
without singles’.
“I did? That’s great. But it’s just that TOXIC was so huge. So after releasing
such an album, what would we be able to express with just a single? That’s sort
of how we felt. Like, 'It’s impossible.’”
―Why was it impossible?
“For example, when producing a work, the highest sense of accomplishment and
satisfaction is releasing an album, so it’s like, after that, can we get the
same sort of satisfaction with a single? So, we wondered what to
do and the next plan was to release two mini albums. But from that it became so
that we’d rather just do an album”
―It’s simple. So, this year in
January at Yokohama Arena you announced the album and the title.
“We’d already decided to make it a two-disc album then. The content was yet to come”
―That’s why it got named
DIVISION.
“Yeah. So first came the name. We worked from there on”
―What sort of concept is in
the two discs?
“First we had the image of 'Us up until now’ and 'We from
now on’, however, in the end, one disc was the GazettE as easily imagined by
everyone, and the other disc as the sound we’ve accomplished throughout our 10
years. Which one the GazettE is, is largely divided into those two parts.
―What about the content of
the songs? I thought the two discs had relative consistency.
"Hm, how to put it. The first disc has content with a story line, and the
second has plenty of fairly emotional stuff. But wholly, it’s the problems of
today. 2012 topics, and my state of mind about them form the basis of it.
―So there certainly aren’t
happy songs. From the spectrum of emotions, you could say it’s overwhelmingly
'anger’.
"But it’s not spouting anger. It’s very detached. A cold anger”
―Exactly. Although you’re
angry at the reality and situations in 2012, you’re never frank about it. How is it
that you’re so detached?
“For example, concerning the song Hedoro, since I understand that not everyone
is telling lies all the time, the lyrics are from an objective point of view
about taboos and people not touching upon such subjects, and I guess there a
lot of songs where such a sense of distance is quite established”
―I think this clearly concerns
the nuclear plant but here you are looking at such a reality with an extremely
detached point of view.
“That’s right. A year has passed since the earthquake, and it seems things have
changed since then. Haven’t we begun to see a lot of things about Japan since
then? Hidden things are starting to crumble. That’s also ridiculous, but that’s
the way it is” (T/N: he means that it’s ridiculous that it
took something like that earthquake to make things surface)
―Or should you say that we’re
closer to knowing the truth now.
“But there’s also the thing that 'humans are that way by nature’. And, 'it’s
not something that only now came out’. And it’s not limited to
Japan, I think people have always been that way. That sort of viewpoint is
strong in this album. The future sure looks hopeless. There might be a bit of
hope but it sure isn’t bright.”
―Exactly. So,
let’s end the album conversation here, and continue on to delve more into
Ruki-kun’s way of thinking.
“Right, here we are (laugh)”
―It’s clear from our
conversation up to now but it seems you always have this extremely detached
point of view.
“I do. I guess I never get worked up”
―What sort of rock musician
are you if you don’t get worked up (laugh).
“Hahahaha. But aren’t Japanese people like that in general? We also don’t have
change occurring like overseas. So the thing with the nuclear plant, isn’t it originally
a problem from long ago”
―Before good and bad, you end
up thinking like that.
“But in Japan, ever since the atomic bomb was dropped, we’ve been having
problems with it right? And I think that……it’s too late for that. And when
watching the news, too, I keep going "look, as I thought” when things exposed
aren’t even subtle"
―Well, even if you get angry
you end up looking like an idiot.
“Yeah. I’m the type that by nature tries to look at the other side of
everything. The reverse side is worrisome. That’s been becoming clear
last year and this year.”
―But, when you were a kid, in
the process of falling for music, it seems you ventured into a befitting fever
even though you were detached.
“At first it was Sex Pistols, then LUNA SEA in the same way but whatever
it is, it’s an antithesis of a clear-cut society, you know? I was attracted to
that sort of thing from the start.”
―But being attracted to
antisocial matter, you’re usually supposed to be resentful and grievous.
“How about that. I think it’s right at that time that I
became detached.
―You don’t like displaying
your emotions?
"No, perhaps that’s actually easy. When it comes to that, isn’t it
tiresome complaining that much all the time?”
―That sounds a bit like
something a lethargic person would say (laugh).
“It does? (laugh)”
―But if you were lethargic you
wouldn’t be able to be in the band like this, and do all the amazing things up
until now. So…I’m taking freedom here with an analysis, but it might be that
you have strong self control.“
"Yeah…I guess I don’t really act on my emotions”
―But I think if we were to
look behind the surface, the breadth of your emotions would be great. In other
words, if you broke the dam, emotions would come endlessly pouring out.
“Yeah……”
―If not, then you wouldn’t have
come to like LUNA SEA this much.
“Hahaha”
―In other words, when
something is important to you, you keep on being absorbed only in things
concerning that.
“That’s right. But other than that I’m like in sleep mode”
―What are you, a computer
(laugh)
“But I might really be like that. Like……There are times when I wilfully
separate myself. For example, when people accept us warmly, and when people
have the same sort of sensibility, then I’ll get psyched and talk about
anything. This interview is also that way, however, the difference between
people whom I can talk to like this and with whom I can’t is quite dramatic. As
soon as I think that, 'Ah, I can’t talk to that person about anything other
than shallow things’, plain business talk begins. If it doesn’t then there’ll
be no manuscript, right? That sort of thing”
―That’s also your cold anger,
isn’t it. But about that, maybe in a way, it also feels like they wouldn’t know
what to do with your passion.
“Is that so?”
―I think you’re a person who
turns that part of you containing passion and ceaseless emotion towards things and
people that you hold dear. You can’t falsify that.
“Yes……I think you have a point”
―Moreover, you don’t like
being angry at people or hurting them by giving in to anger and sadness.
“That’s true. But somehow it’s always been like that. And I’ve also been
enamoured by violent and delinquent stuff, but in the end it was nothing but
being drawn to the antithesis of society”
―In the end, I think you are
also the sort of person who strongly feels about the things he cares
about. Doesn’t that come from Ruki-kun’s home environment?
“No……In essence, my home environment wasn’t good”
―How so?
“Because my parents were……extremely strict”
―They were what you might call
Spartan?
“Half-assed Spartan (laugh). They didn’t let me out if I didn’t
study, that sort. And it’s not that I would usually reluctantly study when they
told me. I was the type that still wouldn’t study. In short, I didn’t become
the child my parents tried to raise. I was always rebelling……I guess in the end
I could do nothing but suppress my emotions. Of course, they didn’t get angry
just because I didn’t study. For such reasons, I became extremely detached at
home”
―So those are Ruki-kun’s
roots.
“For example, I wasn’t rebelling like, 'What use is it to study’.
I didn’t even have those feelings. I didn’t feel anything. Couldn’t see
anything”
―Sounds the same as being
dead.
“It is like being dead. But, at that time, I encountered bands that left an
impact. Only they could get me, cold as I was, to become
passionate. Anyhow, Sid Vicious was the first whom I came across, and since
then it was all Sid over my room. It was like I wanted to completely turn into
him. But because I was controlling myself in front of my parents, when I’d go
to school I’d put up my hair, and when I was returning I’d put it back. Maybe I
was strange back then”
―Seems the emotions you held
back were poured into that all at once.
“Yeah, maybe”
―You fostered that detached
point of view when you were a kid, but it seems that even
now it is a big part of you.
“I guess that’s how it turned out……well, it showed up here and there in the
lyrics this time, too……Recently I wonder a lot about how I am. You could say
that I’m detached and I guess I’d say so too but that’s something I can’t
change and I think the balance of that composure and passion is my
personality.”
―Well, I think that being
troubled with such things is the mark of a very innocent person.
“Hm……how so?”
―You have something you care
greatly for. Because you don’t want to lose that, you get
detached and you get passionate. That may be bothersome, and then you’re unable
to be that self-aware.
“……I’m not sure I understand what you mean”
―Really? To put it another
way, it’s like being self-important due to great selfishness.
“Ah, I think so, too. It’s selfishness. Because it’s not that I’d do something
for the band. The idea is that I always do what I want to do. I do think it’s
great selfishness. I don’t want to do anything but the things I want. I’m still
like a kid when it comes to that”
―Yeah, but it’s better if you
say innocent than like a kid.
“Of course! (laugh)”
―When I was doing research
(for the article), I thought that you’d be this troublesome guy, but you don’t
give off a bad feeling at all. You’re more like a boy.
“I see……that’s it. Since I don’t do that much self-analysis, I wouldn’t have
known”
―Though, when you’re releasing
an album like this and you’re putting what’s inside of you into lyrics, and
we’re having such a conversation here, you steadily find out things
about yourself that you didn’t know.
“Well, it seems so”
―If you try going further out,
you’ll end up seeing more of yourself. Maybe you don’t have much self-awareness
now, but maybe you do want to know more about yourself.
“Is that so?”
―If you didn’t,
then I don’t know why you guys would want to perform at Rising Sun (Rock
Festival in Ezo 2012).
“Ahahahahahahahaha! What sort of place is Rising?”
―Super out of your element.
the GazettE going up on Ishikari Heiya stage……I can’t imagine it (laugh).
“Hahahaha”
―But you have a reason for
doing it, right?
“Yeah! Because we’re out of place by nature” (T/N: they
use the same word 'away’ for this. Usually the word is used for away teams in
sport. So I translated it 'out of element/place’)
―In this way, I think
that it’ll steadily become something you’re aware of. Of yourself. Since at the
time when you started the band, you weren’t aware of it.
“Exactly”
―Here’s a moment when I
realize that even if you merely wanted to become LUNA SEA, you’re not RYUICHI.
“Mhmm”
―It seems that, in hindsight,
this album has become a product that made you learn more about yourself.
“Yeah. Somehow……when I’m looking at lyrics I wrote recently, I’m able to
remember the feelings I had when I wrote them, and revive them. Like 'Ah, that’,
'that’s how it was’. Things that leave a mark like that are already like a
journal, like a chronology of myself. Therefore……I keep thinking, 'I wonder
what will become of me from now on’. My detached point of view is also in
there.”
______
I have no idea what Ruki being in touch with his feelings has to do with the
Rising Sun festival, lol. Is it a touchy-feely festival? Or is it that they’ll
be out of place and therefore find out things about themselves through the lens
of unfamiliarity?
Tbh I feel like they were drinking during this interview and at that point were
more like blah blah blah~
I hope there aren’t any mistakes, and I also left the crazy-ass
punctuation of the article as it was, except for the quotation marks. I also
did not translate the Editor’s file and the small informative intro because
they were all written by the interviewer and are his opinions and also because
I’m lazy.
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